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How old were you back then? Holy s Wow, what a life. Funny enough. You mentioned Paul and Slim, I was curious when was the last time you talked to Paul Westerberg and what did you guys chat about? Well, we sure like the s you guys did together. Oh, thank you. Uh huh, right, right. John Doe from X played a little on it and did a little background vocal on it. Some of it comes off probably sounding a little country-ish.

But the next thing that I put out will be that. And then who knows. He was such a unique and interesting guitar player. I think pretty much the first record really captures a lot of what Bob was about. Is that true? I learned a few songs and went and auditioned and it seemed like they kind of fell for me right there. Yeah, I found that exactly — that we came from kind of came from this similar background, bass player-wise basically, in a lot of ways.

And then, you know, of course then I met him and we kind of became pals about it at all. But yeah, we come from the same background in that regard, especially in the punk rock way.

Or maybe enjoyed playing live from that record the most? That had a nice bit to it. But a lot of the stuff we never got around to playing live, which is kind of unfortunate. But we did play enough of it to make it make sense, at the end of the day. It was an interesting chapter of the band.

I actually went and saw them a couple times and heard exactly that. That it did really have a positive effect on him in a way. There have been some reports about a Replacements biopic. Oh yeah. I think he did a good job on that, totally. Do you have a good Prince story from back in the day in Minneapolis?

I walked by him once and he said hello … I mean, that was really the extent of that meeting. He was very, very private and very, very quiet. I kind of like doing my own thing. I like doing it the way I do it, when I feel like it and when the inspiration hits me and so I kind of stick to that little program.

What are your auditions like? It would be probably any of those three. It was different than anything we had done. It was a little jazzy, and I played upright bass on it. And we always rose to the occasion of trying to get out of ourselves what Paul was leaning towards. Knockin' On Heaven's Door 9. Madagascar You Could Be Mine The Blues Out Ta Get Me November Rain 2.

Chinese Democracy 4. There Was A Time 5. Patience 6. Nightrain 8. It's So Easy 3. Brownstone 4. Better 5. Live And Let Die 6. Sweet Child O' Mine 7. Knockin' On Heaven's Door 8. Madagascar 9. Robin Finck Solo 8. Sweet Child O' Mine 9. Knockin' On Heaven's Door Dizzy Reed Solo Bumblefoot Solo 2.

November Rain 3. Chinese Democracy 5. There Was A Time 6. Patience 7. Bumblefoot Solo 9. Nightrain Robin Finck Solo Paradise City. What IS it Man?!



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